Monday, November 30, 2015

Dumpster Diving


After examining the circumstances recently on The Walking Dead surrounding Glenn’s apparent death, Erik Kain shows how they really don’t pass the smell test:
“Notice how Glenn and Nicholas fall away from the dumpster? They very clearly fall with their heads going the other direction, down the alley. Their feet would be near the dumpster. And yet, when Glenn pulls himself to safety, somehow—miraculously!—his head is pointing toward the dumpster and he’s able to escape.”
Meanwhile, Lenika Cruz and David Sims find little in the show’s mid-season finale worth praising. Cruz unloads:
“This episode played like a false ending. It’s with great disappointment that I must conclude: I don’t like this season much so far. It had some fantastic moments, but “some fantastic moments” aren’t enough to keep me wanting to watch a show. The Walking Dead has a scale problem: Either it zooms out too big—muddying conversation after conversation with earnest declarations about The Way Things Are Now, or about How We Keep On Living. Or it goes extra myopic, busying itself with the most banal moments of its characters’ lives without bothering to imbue those with a new or greater purpose.”
Pivoting off this critic, the fact that Aaron, without a doubt the most saavy and aware original member of the Alexandria community, fails to appear in this most recent episode feels strikingly odd. The show has previously managed to juggle it’s various players and move the story along. But recently it appears as if everyone is fumbling around in the dark looking for a light switch.

Saturday, November 28, 2015

Super Protective Heargear


Once again, the folks over at Morph Costumes serve up an infographic salute to pop culture: this time out it’s all about the helmet.

(Shout-out: Design Taxi)

Wednesday, November 25, 2015

A Final POW! BIFF! BAM!


The Batman ‘66 comic recently wrapped up its 73-issue run with a clever nod to the television series that inspired it. James Whitbrook appreciates what the book’s writers and artists accomplished:
Batman's ‘66’s success didn’t just rely on recreating the TV show’s aesthetic and tone, week in, week out. It used its medium to the fullest extent to expand and create the ideal version of the show. The scale was so much bigger, with Batman trekking across the world for adventures in Japan, plus massive action sequences that the budget of a 1960s TV show, even a wildly popular one as Batman was, could never afford. It embraced the madness and gave it a scope to create truly brilliant capers. I mean, hell, this the the series that gave Batman an atomic-powered giant Bat-Robot, for crying out loud.”
(Image: opening credits of Batman, Warner Bros.)

Friday, November 6, 2015

Dylan Goes Graphic!


The A.V. Club’s Becca James tips her hat to “Watchmen’s stunning opening, which pairs a standard Bob Dylan track with classic but subverted historical images.”